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Art of India: Hindu Gods and Goddesses

by  Museum of Fine Arts, Boston

Program image

Visit the MFA’s Art of South and Southeast Asia galleries to explore Indian sculptures of Hindu gods and goddesses. Students build an understanding of how these artworks originate from a religious tradition that developed in ancient South Asia, as well as how they continue to have modern relevance for the Hindu faith worldwide.

Recommended for grades 3-12

Program Rating

This program has not yet been evaluated.
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About This Program

Cost

Point to Point: $175.00
Point to Point Premium: $150.00


$175 per individual classroom (up to 30 students).

Length

45 minutes


Target Audience

Education: Grade(s) 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, Homeschool/Family , Learning Pod

Minimum participants:

5

Maximum participants:

30


Primary Disciplines

Art, Culture, Fine Arts, Religion, History & Social Studies


Program Delivery Mode

Videoconference – Webcam/desktop (Zoom, Google Meet, Cisco WebEx, GoToMeeting, Microsoft Teams, etc...)
Zoom



Booking Information

Available Mondays–Fridays 9 am–4 pm ET. Videoconference programs should be requested at least 4 weeks prior to your preferred program date. Note: No programming during Winter Recess (December 22, 2025-January 2, 2026), February Recess (February 16-20, 2026), April Recess (April 20-24, 2026) and Summer Recess.

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Receive this program and 9 more for one low price when you purchase the CILC Virtual Expeditions package. Learn more

For more information contact CILC by email info@cilc.org or by phone (507) 388-3672

Provider's Cancellation Policy

Please e-mail distancelearning@mfa.org or call 617-369-3590 at least one business day prior to your scheduled program if you need to cancel or make changes to the reservation. The full program amount will be billed if changes are made less than 24 hours in advance.

About This Provider

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Museum of Fine Arts, Boston

Boston, Massachusetts
United States

Showcasing ancient artistry and modern masterpieces, local legends and global visionaries, the MFA's renowned collection of nearly 500,000 works tells the story of the human experience.

MFA Distance Learning brings the Museum into classrooms with live, interactive videoconference and webinar programs. Through discussion and activities with an MFA educator, students connect works of art to classroom curriculum on topics from the ancient world to colonial Boston. Programs are taught directly from the museum galleries, giving students the opportunity to see original works of art and also dig deeper with additional digital content.

Contact:
Lauren Yockel
distancelearning@mfa.org
617-369-3590

Program Details

Format

This live, interactive videoconference program is taught from the museum galleries, giving students the opportunity to see original works of art and also dig deeper with additional digital content. Led by a museum educator, this program begins with an introduction to the MFA followed by close looking and guided activities centered around several works of art. Throughout the program, students will connect with the educator in the museum gallery by looking closely, making observations, asking questions, and engaging in activities.

Objectives

1. Students will develop an understanding of the historic tradition of Hindu art that developed in South Asia and its continued relevance in the visual arts.
2. Students will learn to identify features and characteristics associated with the depiction of Hindu deities in Indian art.
3. Students will practice visual literacy and critical thinking skills through close looking, observation, and online discussion centered on works of art from the MFA's collection.

Standards Alignment

State Standards

Investigating History
Grade 7: Unit 1, Lessons 12-21 (Cluster 3) - Post-Harappan Developments in South Asia

Massachusetts Curriculum Framework for History and Social Science
Grade 7: World Geography and Ancient Civilizations II
- Topic 1b: Early Indian and Central Asian civilizations, religions, and cultures
[HSS.7.T1b.02] Describe important economic, political, and religious developments in Indian and Central Asian history and evaluate the ways in which they conform to or differ from developments in societies in other regions of the world.
a. the origins of Indian society in the Indus Valley, c. 3000-1300 BCE
b. the evolution and central principles of Hinduism
d. the Gupta Empire in the 3rd to 6th centuries CE, sometimes referred to as the “Golden Age of India,” and its Sanskrit classic literature and art
f. achievements in art, architecture, technology, astronomy, and mathematics

Massachusetts Curriculum Framework for History and Social Science
High School: World History I
- Topic 2: Development and diffusion of religions and systems of belief c. 500 BCE-1200 CE
[HSS.WHI.T2.02] Describe the central tenets of Hinduism, Judaism, Buddhism, Confucianism, Christianity, and Islam; create a timeline that shows when and where each religion or belief system began.
[HSS.WHI.T2.05] Locate on a map and analyze relationships between political power, religion, and cultural achievement in one empire that flourished between c.100 and 1000 CE.
a. the Kushan Empire (c. 1st-5th centuries) with its fusion of Greco-Roman and Buddhist culture and imagery in Gandharan sculpture; the Gupta Empire (c. 320-600 CE), uniting multiple kingdoms of North, Central, and Southeast India, religious tolerance for Hinduism, Buddhism and Jainism; highly developed Hindu and Buddhist sculpture and literature.


Massachusetts Curriculum Framework for Arts
Grades 7-8: Visual Arts | Responding
[7-8.V.R.07] Perceive and analyze artistic work. Analyze elements of a work that are indicative of the historical or cultural context in which it was created.
[7-8.V.R.08] Interpret intent and meaning in artistic work. Explain how an artistic work was influenced by the culture or historical context in which it was created.
[7-8.V.R.11] Relate artistic ideas and works to societal, cultural and historical contexts to deepen understanding. Identify visual ideas from a variety of cultures connected to different historical populations.